Michael Aram Black Orchid Bowl, Large

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Michael Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "There is a velvety luxuryan almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."

By interpreting plant forms in cast metal, Aram presents work which is evocative of a natural environment transformed and redefined. Says the designer, "This collection was really born out of the sense I have of haute couture. There is a velvety luxury an almost gothic quality to representing orchids in blackened nickel. To me, the pieces feel seductive and graceful, yet dark and unexpected."